Turgenev’s Notes of a Hunter (1852) is considered by most critics—even by those who condemn his subsequent politics, judging them a mixture of vacuous pronouncements and ineffectual gestures—a genuine liberal statement. Literary critics who do not go so far as to claim that the work contributed directly to the Emancipation Proclamation of 1861—a view Turgenev himself occasionally espoused—at least assert that Notes of a Hunter is as biting and affecting a criticism of serfdom as literature could level at the time. There is, I believe, a serious objection to this position. I am not referring to the argument that a cycle of twenty-two sketches mainly about a man out hunting with his dog can hardly have much to do with politics; there are so many references to social injustice that even the narrator's most seemingly mundane observations, such as his disquisitions on various hunting techniques, must be read as willful efforts to distract himself from the corruption of Russian life.